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Thu Apr 26

| Tuesday, April 24th - 9:15p.m. - St. Anthony Main :
Thursday, April 26th - 5:00p.m. - Oak Street Cinema :
Director: Dai Sijie
Banned in China, sensitvely directed by reknowned novelist and filmmaker Dai Sijie (Balzac and the Little Chinese Seamstress), The Chinese Botanist's Daughters is set in 1980's China, when not all taboos were lifted (and, still aren't). In this sensual adventure, Min (Mylene Jampanoi), reared as an orphan and now a modern young woman, sets off on an six-week internship with a renowned botanist. |
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Last Updated ( Monday, April 09 2007 )
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| Wednesday, April 25th - 5:15pm - Oak Street Cinema
Thursday, April 26th - 9:15pm - Bell Auditorium
Director: Pablo Larrain Eliseo Montalbán is a musician trapped in an unfinished symphony. As a boy, he witnessed the violent death of his sister who was murdered on top of a piano while composing a melody. | |
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Last Updated ( Thursday, April 19 2007 )
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| Tuesday, April 24th - 7:15 pm - St. Anthony Main
Thursday, April 26th - 9:30 pm - Oak Street Cinema
Directors: Asger Leth and Milos Loncarevic
Gang violence in the streets of Port au Prince, Haiti, labled “the most dangerous place in the world,” has never been as graphically portrayed before as in this seat-of-the pants documentary by daring, Danish director Asgar Leth. | |
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Last Updated ( Monday, April 09 2007 )
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 | Thursday, April 26, 2007 9:30 PM Director: Gene Graham USA, 2007 – 90 Minutes Director Invited A feature length documentary based on Mel Cheren’s powerful auto-biography, “My Life with the Paradise Garage, Keep on Dancin”. | |
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Last Updated ( Monday, April 09 2007 )
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 | Thursday, April 26th - 7:30 pm - St. Anthony Main :
Director: Slawomir Fabicki
The Polish equivalent of Martin Scorsese’s Mean Streets, this tough and enterprising first feature by Slawomir Fabicki follows the fortunes of a nineteen-year-old trying to make his way in society. |
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Last Updated ( Monday, April 09 2007 )
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 | Thursday, April 26th - 7:15 pm - Oak Street Cinema :
Director: Francois Favrat
Whether as an actress, writer, or director, Agnès Jaoui is a treasure of contemporary French cinema. Here, in her acting mode, she puts a Gallic spin on such recent diva-fests as Being Julia and The Devil Wears Prada, playing an imperious star who hires a mousy journalist (Karen Viard) as her personal assistant. | |
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Last Updated ( Monday, April 09 2007 )
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| Tuesday, April 24th - 5:00 pm - Oak Street Cinema
Thursday, April 26th - 5:15 pm - St. Anthony Main
Director: Bohdan Slama Dreams of hope, dreams destroyed, life imagined, life as it is. Set in a grey and dingy unnamed Czech city, “Something Like Happiness” is “a strange film of optimism” in the midst of disappointment, unexpected twists and turns in plans, and long-time friends with changing circumstances. | |
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Last Updated ( Monday, April 09 2007 )
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 | Thursday, April 26th - 7:30 pm - Bell Auditorium
Director: Kimon Tsakiris
As in many remote areas, the village of Zaharo (literally, Sugartown) has been hemorrhaging women to the big city. Desperate for a solution, the mayor organizes an expedition to Russia in seach of prospective brides, taking with him three men as local ambassadors. It’s hard not to feel for these nice, simple guys, thoroughly unprepared for the tough Russian gals that await them. |
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Last Updated ( Monday, April 09 2007 )
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 | Thursday, April 26 5:00 P.M. – Bell Auditorium
Director: Ye LouChina/France, 2006 – 140 Minutes It is the mid-1980s, and teenage Yu Hong leaves her village, her family and her boyfriend to study at Beijing University. There she discovers a very different world, and falls passionately in love with fellow student Zhao Wei. But though their relationship soon comes to overwhelm everything else in their lives, the weight of history soon pulls them apart - their story, like those of so many others, overwhelmed by the massacre in Tiananmen Square. | |
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Last Updated ( Monday, April 09 2007 )
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 | Thursday, April 26th - 7:00 pm - Riverview Theater
Saturday, April 28th - 11:00 am - Bell Auditorium
Director: Dror Shaul
While the Israeli kibbutz has been idealized as a paragon of utopian movements, Sweet Mud tells a darker, more nuanced tale of a community ill-equipped to cope with individuality and deviations from a rigidly defined norm, and of an adolescent boy stretching to compensate for what the collective cannot provide.
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Last Updated ( Monday, April 09 2007 )
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